The imusify Platform Introduction
imusify, the project, has many missions; each addressing different and often overlapping audiences within the music industry. From the perspective of platform architecture and product design, though, there is one overarching vision that encompasses all of the missions:

“Anything and anyone who adds value to the economy should be compensated by the economy, equitably, immediately and frictionlessly”
Let’s explore that a bit from the perspective of two of the more common participants in the music industry.

The Artist
As a generator of new art, be it musical, visual or lyrical, the Artist needs to have a way to profit from the sale of their art. This may sound crass to some of the more idealistic Artists and artisans out there, but it’s better to make your living doing what you love, that doing something you hate to put beer in the fridge and strings on your guitar. Following our vision, an artist publishing their work on our platform should be compensated for any use of their work equitably, immediately and without having to jump through any institutional hoops. If someone streams their song, the revenue (paid by the listener) should immediately show up in the artist’s wallet. This is just one of many ways our vision applies to the Artist, but hopefully you can extrapolate the others easily enough, or wait for the coming articles.

The Consumer
Without the fans, listeners and audiophiles, there is no industry. Prior to our current Golden Age of Mankind, the average Musician was someone who had only one way to publish their art; live performance. (We’re talking pre-industrial era, here). Back in ye olde days, if you stopped to listen to a busker and were entertained, you dropped a farthing in the hat and moved on. A good musician generally fared better than a lousy one (they often were louse ridden too!), and the Consumer was always in control of where they bestowed their hard-earned shillings. With the advent of recording, radio, MTV, and finally digital distribution, the economic models changed, usually radically; we at imusify are hoping to change them one more time — by going BACK. We won’t go into why subscription models are unfair to both consumers and artists, nor any of the other injustices currently being perpetrated within the industry (not in this article, anyway).


when will be some update of progress - platform?

thank you very much for all informations i am serious investors and very interested in project

INDUSTRY LANDSCAPE
The way we listen to music is changing fast, and the business of music is struggling to keep up. Constantly shifting business models affect performers and songwriters, producers and publishers, promoters and livev music venues. The music industry has led the digital transition throughout the greater media industry, which has presented exciting opportunities for convenient music consumption, but also created problems regarding 1. Matti Vaininen, Digital Transformation in Music Industry, Aalto University School of Business, (2016). returning fair value to the individuals and groups creating music content.

No one can live without music. Does that mean that because of imusify platform we won't need middleman anymore ? Can I register to that platform (as a talent seeker or music label) and find my singer to sign later on ?