Please tell me what issues you thought through.

Dude, you didn't follow the instructions. I posted the list twice, with and without stars. Please quote the list that does not have stars, and put one star by films you're already aware of, but haven't seen but want to see, and put two stars by the films you've already seen.

Hardly. But you've never been prone to think things through.

I'll begin:

1. * Playtime (Jacques Tati, 1967, France)
2. Pakeezah (Kamal Amrohi, 1972, India)
3. Au hasard Balthazar (Robert Bresson, 1966, France)
4. * The Story of the Last Chrysanthemum (Kenji Mizoguchi, 1939, Japan)
5. Rio Bravo (Howard Hawks, 1959, United States)
6. Letter from an Unknown Woman (Max Ophüls, 1948, United States)
7. * The Rules of the Game (Jean Renoir, 1939, France)
8. Vertigo (Alfred Hitchcock, 1958, United States)
9. * Ordet (Carl Theodor Dreyer, 1955, Denmark)
10. Through the Olive Trees (Abbas Kiarostami, 1994, Iran)
11. Make Way for Tomorrow (Leo McCarey, 1937, United States)
12. * Stalker (Andrei Tarkovsky, 1979, Soviet Union)
13. The Green Ray (Eric Rohmer, 1986, France)
14. ** Floating Clouds (Mikio Naruse, 1955, Japan)
15. The Searchers (John Ford, 1956, United States)
16. Trouble in Paradise (Ernst Lubitsch, 1932, United States)
17. * A City of Sadness (Hou Hsiao-hsien, 1989, Taiwan)
18. * Sátántangó (Béla Tarr, 1994, Hungary)
19. Man with a Movie Camera (Dziga Vertov, 1929, Soviet Union)
20. The Young Girls of Rochefort (Jacques Demy, 1967, France)
21. * A Brighter Summer Day (Edward Yang, 1991, Taiwan)
22. **Early Summer (Yasujiro Ozu, 1951, Japan)
23. Sunrise (F.W. Murnau, 1927, United States)
24. L'Eclisse (Michelangelo Antonioni, 1962, Italy)
25. * Celine and Julie Go Boating (Jacques Rivette, 1974, France)
26. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1976, Belgium)
27. Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, 2010, Thailand)
28. The General (Buster Keaton and Clyde Bruckman, 1926, United States)
29. The Flowers of St. Francis (Roberto Rossellini, 1950, Italy)
30. By the Bluest of Seas (Boris Barnet, 1936, Soviet Union)
31. Distant Voices, Still Lives (Terence Davies, 1988, United Kingdom)
32. L'Atalante (Jean Vigo, 1934, France)
33. ** The Spirit of the Beehive (Victor Erice, 1973, Spain)
34. The Big Heat (Fritz Lang, 1953, United States)
35. * Charulata (Satyajit Ray, 1964, India)
36. Doomed Love (Manoel de Oliveira, 1978, Portugal)
37. A Matter of Life and Death (Michael Powell and Emeric Pressburger, 1946, United Kingdom)
38. Two or Three Things I Know About Her (Jean-Luc Godard, 1967, France)
39. The Scarlet Empress (Josef von Sternberg, 1934, United States)
40. * Spring in a Small Town (Fei Mu, 1948, China)
41. ** Barry Lyndon (Stanley Kubrick, 1975, United States)
42. ** Shoah (Claude Lanzmann, 1985, France)
43. Ivan the Terrible (Sergei Eisenstein, 1944-1946, Soviet Union)
44. ** The Thin Red Line (Terrence Malick, 1998, United States)
45. The Travelling Players (Theo Angelopoulos, 1975, Greece)
46. * Goodbye Dragon Inn (Tsai Ming-liang, 2003, Taiwan)
47. The Magnificent Ambersons (Orson Welles, 1942, United States)
48. Russian Ark (Aleksandr Sokurov, 2002, Russia)
49. Lonesome (Paul Fejos, 1928, United States)
50. A Perfect World (Clint Eastwood, 1993, United States)
51. Limelight (Charles Chaplin, 1952, United States)
52. Pyaasa (Guru Dutt, 1957, India)
53. Listen to Britain (Humphrey Jennings and Stewart McAllister, 1942, United Kingdom)
54. Ingeborg Holm (Victor Sjöström, 1913, Sweden)
55. * Mulholland Drive (David Lynch, 2001, United States)
56. El (Luis Buñuel, 1952, Mexico)
57. * The Night of the Hunter (Charles Laughton, 1955, United States)
58. Yeelen (Souleymane Cissé, 1987, Mali)
59. The Birth of a Nation (D.W. Griffith, 1915, United States)
60. * My Neighbor Totoro (Hayao Miyazaki, 1988, Japan)
61. Kings of the Road (Wim Wenders, 1976, West Germany)
62. Muriel (Alain Resnais, 1963, France)
63. * Boy (Nagisa Oshima, 1969, Japan)
64. Les Vampires (Louis Feuillade, 1915-16, France)
65. Meet Me in St. Louis (Vincente Minnelli, 1944, United States)
66. Three Crowns of the Sailor (Raoul Ruiz, 1983, France)
67. La Région centrale (Michael Snow, 1971, Canada)
68. Foolish Wives (Erich von Stroheim, 1922, United States)
69. Singin’ in the Rain (Gene Kelly and Stanley Donen, 1952, United States)
70. * The Leopard (Luchino Visconti, 1963, Italy)
71. ** Days of Being Wild (Wong Kar-wai, 1991, Hong Kong)
72. Berlin Alexanderplatz (Rainer Werner Fassbinder, 1980, West Germany)
73. Kind Hearts and Coronets (Robert Hamer, 1949, United Kingdom)
74. The Headless Woman (Lucrecia Martel, 2008, Argentina)
75. A Star is Born (George Cukor, 1954, United States)
76. ** Centre Stage (Stanley Kwan, 1992, Hong Kong)
77. Sans Soleil (Chris Marker, 1983, France)
78. * Bigger Than Life (Nicholas Ray, 1956, United States)
79. Written on the Wind (Douglas Sirk, 1956, United States)
80. The Decalogue (Krzysztof Kieslowski, 1989, Poland)
81. Once Upon a Time in the West (Sergio Leone, 1968, Italy)
82. * Throne of Blood (Akira Kurosawa, 1957, Japan)
83. Earth (Aleksandr Dovzhenko, Soviet Union)
84. * Platform (Jia Zhangke, 2000, China)
85. * Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011, Turkey)
86. Awaara (Raj Kapoor, 1951, India)
87. (nostalgia) (Hollis Frampton, 1971, United States)
88. Lost in America (Albert Brooks, 1985, United States)
89. Story of a Cheat (Sacha Guitry, 1936, France)
90. Seventh Heaven (Frank Borzage, 1927, United States)
91. The Red and the White (Miklós Jancsó, 1967, Hungary)
92. Il Posto (Ermanno Olmi, 1961, Italy)
93. Antoine and Antoinette (Jacques Becker, 1947, France)
94. I Walked with a Zombie (Jacques Tourneur, 1943, United States)
95. * Fanny and Alexander (Ingmar Bergman, 1982, Sweden)
96. Me and My Gal (Raoul Walsh, 1932, United States)
97. Pot Worth a Million Ryo (Yamanaka Sadao, 1935, Japan)
98. Dog Star Man (Stan Brakhage, 1965, United States)
99. Dead Ringers (David Cronenberg, 1988, Canada)
100. * Mr. Thank You (Hiroshi Shimizu, 1936, Japan)

In the list quoted below, from here: http://tenbestfilms.blogspot.ca/2012/06/ten-best-films-top-one-hundred-films-of.html , we have what one has called the 100 greatest films of all time. Everybody has opinions, but it is a good list. I ask you to quote it, and put two stars beside the films you have seen, and one star beside the films that are definitely on your watch list to see.

Oh you are welcome. I am trying to save you from wallowing in the realm of cinematic ignorance, from wearing blinders to the extended world of cinematic treasures. I am trying to lead you from the valley of cinema where only Pretty Woman and similar films of conventional presentation reside.

A new world awaits you.

There's a lot else. Believe me. A lot else.

Has anybody here clicked on your link?

Why, in NAP, is the first to draw a weapon, the loser? Can you demonstrate, through a description of a process, taking into account as many realistic factors as possible, why that is the common outcome. Please factor in witnesses, or lack of, money and affluence, possible histories of persons involved, and so on. Please explain how NAP better resolves this than traditional systems.

Does anybody listen to the suggestions of others? For if they did, would we not see an acknowledgement, a diss, a thank you for sharing, an "Oh, I like that, thanks", an argument as to why it is good or bad, etc?

By whom? How many times does this need to be asked?

Dude! You saw Days of Being Wild? Do you realize that two other films on the list are essentially sequels to that film? Taken together, they amount to an amazing experience. I can't watch this youtube video featuring the song Perfidia without getting goosebumps of pleasure rolling up and down my spine: http://www.youtube.com/watch?v=wtkjXu-kEds

Do yourself a big favor and watch In the Mood for Love and 2046, the films which come after it.

Also, I would recommend that you immediately seek out the film Yi Yi on the list above. Truly a masterpiece. You have no idea.

Yes, but that's not the point. The point is, watch the movie and the two other films from the trilogy. You're missing out. And unlike most of the other selections in this thread, the three films are critically acclaimed in a huge way. As an example, the second film in the trilogy was recently voted in the prestigious Sight & Sound poll which polls directors world wide as the greatest film of the 21st century, and the 24th greatest film ever made. Something to consider.

For the record, the film in the images thread is the third in the trilogy.

You know that thread "Let's count to 21 million with images"? Bitcoin member "elosk" said it back in July: https://bitcointalk.org/index.php?topic=77535.msg1061195#msg1061195

All peas in a pod.

That's awesome that he makes 60 cents a day watching videos on youtube.

That is a good movie!

I put a star beside the ones on your list that I have seen. Put a star beside the ones on my list that you have seen.

Some of my favorite films, in no particular order:

2001: A Space Odyssey
The Face of Another
Yi Yi
Yearning
Never Let Me Go
Red Beard
No Country for Old Men
When a Woman Ascends the Stairs
Pale Flower
Lost in Translation
Sansho the Bailiff
Pan's Labyrinth
Equinox Flower
The Thin Red Line
Chungking Express
Das Boot
Twenty-four Eyes
Floating Weeds
The Incredibles
Pride & Prejudice (Joe Wright)
The Human Condition
An Education
Floating Clouds
Still Walking
In the Mood for Love
Early Summer
Late Autumn
2046
Late Spring
Days of Being Wild

RodeoX, please take a stab at your favorite twenty films, or something like that.

Disupute resolution. LOL! You mean those disputes like where you have a dispute because someone killed your children? Yep. It sure is the dominant form of dispute resolution.

You're so mind numbingly out to lunch. Where private arbitration is being used, it's already being used, and thus you don't need to go to NAP. The discussion, (Hello! Anyone home?), revolves around the premise that NAP should replace current existing systems, and so we would focus on the areas where private arbitration is not used.

Oh, and by the way, McDonald's really does suck, even though you think they make the most delicious food around.