hello, I am an artist from Romania.
I want to show you my ARTWORK, is an experiment for me, I want to sell artwork for bitcoin.
the price in bitcoin is the equivalent of the value of each artwork!
Town of Silence - Price 5.5
BTCTown of Silence | 2009 | ink on paper | 70 cm x 250 cm (27.55 x 98.42 inches)
The artwork consists of 5 parts, each part having a size of 70 cm x 50 cm (27.55 x 19.68 inches), each part is signed by Dionisie Kyrstea
The price includes the cost of transport.
https://postimg.org/image/ijhgk4g1z/ Into The Twilight - Price 4
BTCInto The Twilight | 2013 | acrylic on canvas | 80 x 100 cm (31.49 x 39.37 inches)
signed by Dionisie Kyrstea
https://s31.postimg.org/529xnqjwb/MG_7924.jpgMannequin - Price 10
BTC Mannequin | 2017 | Installation | 27 x 19 x 53 cm
signed by Dionisie Kyrstea
https://postimg.org/image/xgfd7n2bb/ https://postimg.org/image/f0uwa9bc7/ https://postimg.org/image/3oiasm7tz/ https://postimg.org/image/b4hke9imv/ https://postimg.org/image/suj8zbjd3/ https://postimg.org/image/we56p76o7/ https://postimg.org/image/4d1ppb5bb/ https://postimg.org/image/eacqiefhz/ https://postimg.org/image/vbv06rqgn/
MannequinThis art installation comes as a continuation of the ”Odalisque” project, which was designed and created so as to bring into wiew different social issues and aspects of life in which it concentrate moments and experiences in their variety of expression.
”Mannequin” came into being while observing the world of modelling, a field that is barely or wrongly understood by some people. The concept represents the outlook on this problem, which takes shape through various elements.
The woman’s bust and the erotic don’t mean to suggest one gender (masculin or feminin), but the mannequins’ sensitivity and their beautiful side involved in this activity. The prominent traces of welds have been created to suggest the negative aspects which take place into the modelling world, exploitation and defilement of the body and soul, for chasing fame.
The black colour implies better this aspect, representing the extreme gestures which some of the actors of this environment recur to. The warm area of the bust’s interior is not there by chance; we want to outline the warmth, the light and hope which exist in each of us. In other words, even after many sufferings, we should look deep within ourselves and not allow the beautiful and hope to die away.
Functional Art
The Sovietic gas lamp from 1977, partially refurbished, suffered some changes, which represent my own perspective of how this object can be brought back to life, even more, to have a new feature and also to find its place in the homes of every art and beauty lover.
The gas lamp was changed into a lighting body with an on/off switch applied on the small lid which once was used to access its gas tank. Another change, namely adaptation, is represented by the fact that a potentimeter was applied to it, and the action way is found again on an element which is part of the lamp, therefore it is on the small wheel which once was used to adjust the flame, higher or lower. Now it has the same usage, but in change of the flame there is an edison light bulb which can be used up to its maximum capacity or at a soft light.
All of these changes were made so they can use the lamp’s own elements, therefore its identity was not at all dented. The only element modified through a hole on the lateral part of the body is a double socket with USB , slightly visible, but which blends into the concept in a harmonious way.
The lower part made of metallic elements (washers) applied on a cast design, previously sculpted and then welded together, is aiming to create, apart from support and harmonious continuity, also the ambiance. Ambiance suggested with an LED component furthermore.
The upper area, the bust which is the main attraction for the eye of the viewer in the first instance, was created from metallic elements (washers), applied and then welded together on a cast design, carefully carved into the smallest anatomical details. This body, besides washers, also has a mechanical chain applied to the spine so as to imitate the mannequin's position more accurate in this hypostasis.
Through the shape given to this body, the neckline and the upper free zone, the position of the shoulders and breasts, the dynamics and harmony have been outlined.
The presence of the metallic elements (the washers) in the artwork is based on the fact that the main purpose, through the holes that it presents, was the flooding with the light flow, which the holes easily make way to it, regardless of the environment in which this artistic concept appears.
