Interesting take. The cube in Moscow is certainly imbued with some power symbolism, but more in the sense of control than anything celestial. Just something to think about.
Stalins "Seven sisters" are in line with Pleiades aka the seven sisters
https://en.wikipedia.org/wiki/Pleiades_(Greek_mythology)
Stalin took drastic measures to ensure that they were anything but arbitrarily positioned. In one instance Stalin diverted the flow of the Moscow River to create a marginally different vantage point for the skyscraper. In another, he razed a cherished heritage district to the ground. In still another, he even demolished the most sacred cathedral in Moscow, in order to build the skyscraper he intended to be buried in. His behaviour was peculiar, especially given that there were many vacant building plots in the vicinity of the sites he had chosen. Those who questioned him would have been subjected to surveillance, purged of their position, or even sentenced to death. The message was clear: Stalin’s positioning of the Moscow skyscrapers was top secret.
From Luxor to London, cities have been designed in accordance with the principles of sacred geometry. Some designs orientated avenues and buildings in line with the summer or winter solstices. Washington DC employed Masonic principles, while others built their monuments in the manner of ‘as above so below’.
Stalin shunned the architectural establishment – in particular the Neoclassical Revival architects from St Petersburg, and the Russky Modern architects from Moscow – and awarded commission of the skyscrapers to a young and relatively unknown generation of architects. In many instances Stalin held contests for the best design and overrode the committee by appointing his own selection. Those lucky enough to be granted a commission were not guaranteed artistic freedom, for Stalin insisted on the final design and was outspoken about which statues the architect selected for the buildings’ exterior. In fact, there was one thing upon which Stalin was particularly insistent: each skyscraper must have a tower with a five-pointed star.
The influx of Spiritualism, Theosophy and Freemasonry would have had a profound effect on a young, impressionable and ambitious Stalin. But there were other influences, too. In St Petersburg, Grigori Yefimovich Rasputin, the Russian mystic and advisor to the Romanovs, was assassinated in 1916 amidst considerable controversy, but not before he had left a lasting impression on Russian high society. There was also an underground stream of esoteric thought leaders, such as the remarkable Rudolph Steiner (1861 – 1925), who maintained his independence from other factions and yet kept his finger on the pulse of Russian mysticism. Steiner felt that Russia was the country that best captured the spirit of the age, and whose people kept their souls open to the ‘continuous influx of the Christ-impulse’. He suggested that the ‘female’ east (Russia) should be impregnated by the ‘male’ west, although he later criticised Bolshevism, or the Marxist faction that developed into the Soviet Union, as an unhealthy hybrid of eastern mysticism with western abstract thinking. Steiner was well thought of and had credibility in influential circles. Generally speaking, one either followed his school of thought or Blavatsky’s, but not both.
Then there was the controversial work of Nikolai Fedorovich Fedorov (1828 – 1903), a free-thinking writer who, although not well known during his lifetime, became influential after this death. This was ironic, for resurrection was the focus of his work. Fedorov was adamant that resurrection was not only scientifically feasible, it was the moral obligation of society. After his death the Fedorov movement, known as Fedorovtsy, became the ‘new black’. Led by the poet, Alexander Gorsky (1886 – 1943), Fedorovtsy championed the notion of the ‘common task’, or the obligation of all living things to resurrect the dead and, ultimately, to overcome death altogether. Nikolai Setnitsky (1888 – 1937), an advocate of Fedorov’s ideas, lobbied for the abolition of cremation and a return to more traditional burials, so that preservation of the body, and hence physical resurrection, would be possible.
Russian intellectuals were obsessed with immortality, and the preservation of Stalin’s predecessor, the beloved Communist revolutionary, Vladimir Lenin (1870 – 1924), in Red Square underpinned Fedorovtsy principles and reinforced Russia’s defiant belief that resurrection will be achieved. And so Lenin lies in wait for his resurrection, his triumphant return reliant on technological advances. In accordance with this belief, Lenin’s body is preserved in a cube, a shape that represents the fourth dimension and which allows the body to survive disintegration, according to Theosophists, such as the artist, Kazimir Malevich (1879 – 1935), who was adamant that Lenin’s tomb be shaped in a cube, thus ensuring immortality. Lenin’s tomb architect, Alexey Shchusev (1873 – 1949), agreed and designed three cubes for the Russian leader
The five pointed star in all autocratic regimes represents Lucifer. Here is the artist who came up with the "concept" for the corpse in the cube
https://www.rbth.com/arts/2014/01/09/hidden_signs_of_malevichs_black_square_32989.html ...those with a keen eye can see the black square is actually a cube
