Username: hermesesus

Thanks

Username: hermesesus

Thanks

I was already following you
I added you to the list
Thanks

Please wait a few days before unfollowing those who do not follow back (give them some time )

I received your mail
Thanks

You can find them here
C:\Users\YOURUSERNAME\AppData\Roaming\digitalnote\

Please, can someone also send me p2pstate.bin from a synchronised wallet?
Thanks

I added you on the list but you didn't follow me yet
Don't forget to follow back

I sent you my email via PM
I am going to run the wallet on another computer. If it fails, I will try to use your .bin files
Thanks for your help

You're welcome

Done
Thank you!

2121-1221

Atlantis (Ancient Greek: Ἀτλαντὶς νῆσος, "island of Atlas") is a fictional island mentioned within an allegory on the hubris of nations in Plato's works Timaeus and Critias, where it represents the antagonist naval power that besieges "Ancient Athens", the pseudo-historic embodiment of Plato's ideal state (see The Republic). In the story, Athens repels the Atlantean attack, unlike any other nation of the (western) known world, supposedly giving testament to the superiority of Plato's concept of a state. At the end of the story, Atlantis eventually falls out of favor with the gods and famously submerges into the Atlantic Ocean.

Despite its minor importance in Plato's work, the Atlantis story has had a considerable impact on literature. The allegorical aspect of Atlantis was taken up in utopian works of several Renaissance writers, such as Francis Bacon's New Atlantis and Thomas More's Utopia. On the other hand, 19th-century amateur scholars misinterpreted Plato's account as historical tradition, most notably in Ignatius L. Donnelly's Atlantis: The Antediluvian World. Plato's vague indications of the time of the events—more than 9,000 years before his day—and the alleged location of Atlantis—"beyond the Pillars of Hercules"—has led to much pseudoscientific speculation. As a consequence, Atlantis has become a byword for any and all supposed advanced prehistoric lost civilizations and continues to inspire contemporary fiction, from comic books to films.

While present-day philologists and historians accept the story's fictional character, there is still debate on what served as its inspiration. The fact that Plato borrowed some of his allegories and metaphors—most notably the story of Gyges—from older traditions has caused a number of scholars to investigate possible inspiration of Atlantis from Egyptian records of the Thera eruption, the Sea Peoples invasion, or the Trojan War. Others have rejected this chain of tradition as implausible and insist that Plato designed the story from scratch, drawing loose inspiration from contemporary events like the failed Athenian invasion of Sicily in 415–413 BC or the destruction of Helike in 373 BC.

I retweeted https://twitter.com/GameofBitcoins/status/761298924716064768

Thank you

-No VPN
-Program allowed in firewall
-Of course

I have several altcoins wallets and Digitalnote is the only one that failed to sync

Username: hermesesus

Thanks

Username: hermesesus

Thanks

1121-1121

Moai Listeni/ˈmoʊ.aɪ/, or Mo‘ai, are monolithic human figures carved by the Rapa Nui people on Easter Island in eastern Polynesia between the years 1250 and 1500 CE. Nearly half are still at Rano Raraku, the main moai quarry, but hundreds were transported from there and set on stone platforms called ahu around the island's perimeter. Almost all moai have overly large heads three-eighths the size of the whole statue. The moai are chiefly the living faces (aringa ora) of deified ancestors (aringa ora ata tepuna). The statues still gazed inland across their clan lands when Europeans first visited the island, but most were cast down during later conflicts between clans.

The production and transportation of the 887 statues are considered remarkable creative and physical feats. The tallest moai erected, called Paro, was almost 10 metres (33 ft) high and weighed 82 tons; the heaviest erected was a shorter but squatter moai at Ahu Tongariki, weighing 86 tons; and one unfinished sculpture, if completed, would have been approximately 21 metres (69 ft) tall with a weight of about 270 tons. The islanders themselves tore down the standing moai after their civilization broke down.

Windows 10 64bits

2111-1111

The Tamam Shud case, also known as the Mystery of the Somerton Man, is an unsolved case of an unidentified man found dead at 6:30 am, 1 December 1948, on Somerton beach, Glenelg, just south of Adelaide, South Australia. It is named after a phrase, tamám shud, meaning "ended" or "finished" in Persian, printed on a scrap of paper found months later in the fob pocket of the man's trousers. This scrap had been torn from the final page of a copy of Rubaiyat of Omar Khayyam – a collection of poems attributed to the 12th Century poet Omar Khayyám. In some early reports of the case, Tamam was misspelt Taman, and the error has often been repeated.

Following a public appeal by police, the copy of the Rubaiyat from which the page had been torn was located. On the inside back cover of the book, detectives were able to read – in indentions from handwriting – a local telephone number, another unidentified number and a text that resembled an encrypted message. The text has not been deciphered or interpreted in a way that satisfies authorities on the case.

The case has been considered, since the early stages of the police investigation, "one of Australia's most profound mysteries". There has been intense speculation ever since regarding the identity of the victim, the cause of his death and the events leading up to it. Public interest in the case remains significant because of a number of factors: the death occurring at a time of heightened international tensions, following the beginning of the Cold War; the apparent involvement of a secret code; the possible use of an undetectable poison; and the inability of authorities to identify the dead man.

In addition to intense public interest in Australia during the late 1940s and early 1950s, the Tamam Shud case also attracted international attention. South Australian Police consulted their counterparts overseas and distributed information about the dead man internationally, in an effort to identify him. International circulation of a photograph of the man and details of his fingerprints yielded no positive identification. For example, in the United States, the FBI was unable to match the dead man's fingerprint with prints taken from files of domestic criminals. Scotland Yard was also asked to assist with the case, but could not offer any insights.

I have the same problem (Windows 64bits)
I opened the log file and it says:

2222-2222

Wow! signal
From Wikipedia, the free encyclopedia

On August 15, 1977, a strong narrowband radio signal was received by the Big Ear radio telescope of the Ohio State University, United States, then assigned to a SETI project. The signal appeared to come from the constellation Sagittarius and bore the expected hallmarks of extraterrestrial origin.

Astronomer Jerry R. Ehman discovered the signal a few days later, while reviewing the recorded data. He was so impressed by the result that he circled the reading on the computer printout and wrote the comment Wow! on its side, which is how the event has since been referred to.

The entire signal sequence lasted for the full 72-second window that Big Ear was able to observe it, but has not been detected since, despite several subsequent attempts by Ehman and other astronomers. Various hypotheses have been put forward with regard to the signal's origin, either as terrestrial or otherwise, and the event has been the subject of significant media attention.

I don't think so
Participating in a free lottery ≠ trying to receive goods which origin is suspicious
In the first case it is just a game without consequence
In the second case it is greed (with legal risk?)

Thank you!